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Yet, history shows it's actually big women that men find most attractive. The works of Renaissance masters like Botticelli and Rubens show that even the Medieval female was the object of immense fascination and scrutiny. Yet, the women immortalised on these ancient canvases little resemble the super slim celebrities of the modern age. Rather, Renaissance women are often depicted as gloriously full figured, with full bosoms, ample tummies and large bottoms.
Centuries later, American WWII bomber crews painted beautiful, plus sized "blonde bombshells" on their aeroplanes for good luck, and during the great Hollywood era, film studios snapped up busty actresses like Mae West and Jayne Mansfield, more for their buxom features than their acting abilities. The celebrated "hourglass" figures captured on these celluloid archives continue to fascinate men to this day.
Decades after her untimely death, buxom beauty Marilyn Monroe, a definite plus size by today's skinny standards, can still hold her own even against the sultriest modern pinups; and who can forget Britain's very own blonde bombshell, the late, and gloriously plus sized, Diana Dors, still oozing sex appeal at age 49, in Adam Ant's "Prince Charming" video?
At a time when the term "plus size" had yet to achieve common usage, Dors famously likened herself to a naughty seaside postcard, and shamelessly sold herself as "the first home-grown sex symbol...since Lady Godiva." Loved in Britain for her larger-than-life off screen personality, Dors' considerable acting skills all too often played second fiddle to her ample figure, as directors cast her again and again in the role of curvaceous siren.
As frustrating as this certainly was for talented actresses like Dors, they nonetheless made the most of their ample curves to forge highly successful careers and maintain massive male fan bases. It is curious also to note that Dors, Monroe and West are all immortalised on the front cover of the Beatles' iconic album, Sgt. Pepper's Lonely Hearts Club Band .
These women shot to stardom because the film industry and other mass media were dominated by men. At a time when Feminism was still in its infancy, it was men who dictated acceptable standards of attractiveness. Busty, curvaceous women were preferred over skinny woman because this played to the male fantasy of the perfect "hourglass" woman.
Centuries later, American WWII bomber crews painted beautiful, plus sized "blonde bombshells" on their aeroplanes for good luck, and during the great Hollywood era, film studios snapped up busty actresses like Mae West and Jayne Mansfield, more for their buxom features than their acting abilities. The celebrated "hourglass" figures captured on these celluloid archives continue to fascinate men to this day.
Decades after her untimely death, buxom beauty Marilyn Monroe, a definite plus size by today's skinny standards, can still hold her own even against the sultriest modern pinups; and who can forget Britain's very own blonde bombshell, the late, and gloriously plus sized, Diana Dors, still oozing sex appeal at age 49, in Adam Ant's "Prince Charming" video?
At a time when the term "plus size" had yet to achieve common usage, Dors famously likened herself to a naughty seaside postcard, and shamelessly sold herself as "the first home-grown sex symbol...since Lady Godiva." Loved in Britain for her larger-than-life off screen personality, Dors' considerable acting skills all too often played second fiddle to her ample figure, as directors cast her again and again in the role of curvaceous siren.
As frustrating as this certainly was for talented actresses like Dors, they nonetheless made the most of their ample curves to forge highly successful careers and maintain massive male fan bases. It is curious also to note that Dors, Monroe and West are all immortalised on the front cover of the Beatles' iconic album, Sgt. Pepper's Lonely Hearts Club Band .
These women shot to stardom because the film industry and other mass media were dominated by men. At a time when Feminism was still in its infancy, it was men who dictated acceptable standards of attractiveness. Busty, curvaceous women were preferred over skinny woman because this played to the male fantasy of the perfect "hourglass" woman.
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